Archive

Ngā Māharatanga

The Te Uru archive provides access to past exhibitions, programmes, and publications produced by the Gallery, including links to published content and presentations.

Exhibition archive

Alan Ibell: Exterior (with Buried Keepsakes)

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Ava Seymour: Domestic Wild

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Bill Culbert: Blue Cloud, Green Waterfall

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Don Binney: Drawing the Waitākere Coast

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Eternally Temporary

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Fred Graham: Toi Whakaata / Reflections

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Hiria Anderson-Mita: kuhu mai

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Justene Williams: Making Do Rhymes With Poo

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Laura Williams: Settle Petal

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MILKSTARS Sound Constellations in the Chartwell Collection

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New Cuts Old Music

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Rehutai

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RELAY: AUT Toi Ataata Visual Arts

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Séraphine Pick: Rider Instinct

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Squiggla Making Space

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underfoot

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Andy Leleisi’uao: Unbeautiful evening

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Aura Satz: A Pluriverse Siren

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Ayesha Green: Still life

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Cellular memories and planetary designs: Three works by Elizabeth Thomson

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De la Milpa a la Mesa

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Fiona Jack & Courtney Sina Meredith: Earth Posters

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Green Bay High School: Concatenation

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Greta Anderson: There Is Nowhere to Go, There Is Nothing to Do

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Hannah Ireland: Running With Scissors

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Iann An: Frank

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Ihirangaranga / Resonances of the Forest: Toi Taiao Whakatairanga

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In/Sight

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Layla Walter: Layla Dahlia

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Moniek Schrijer: Screensaver

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Onewherowhero

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Rita Angus: New Zealand Modernist He Ringatoi Hou o Aotearoa

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Rozana Lee: Sekali pendatang, tetap pendatang

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Shona Tawhiao: Pākākano

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Susan Te Kahurangi King: Untitled

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Tia Ranginui: Gonville gothic

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Ufuoma Essi: Is my living in vain

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Antireality perversion void

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Benjamin Work And Brendan Kitto: Motutapu

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Elizabeth Thomson: Cellular memory

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Emily Karaka: Matariki Ring of Fire

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George Watson: Kotiro, Emepaea

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Hulita Koloi: Malaloi

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Notes For Tomorrow

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Otherwise-image-worlds

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Project Banaba The untold mining history of Banaba Ocean Island

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Robert Rapson: Against the tide

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Stars start falling

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Steve Carr: In Bloom

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Te aho tapu hou: The new sacred thread

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Te Kaneati

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The moon was talking

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Toitu te Ngahere: Art in schools for forest health

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Wanda Gillespie: Counting frames for a transient era

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Ana Iti: How should we talk to one another?

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Bruce Connew: A Vocabulary

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Finn Ferrier: Soft garniture

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Lisa Walker: She wants to go to her bedroom but she can’t be bothered

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Louie Bretana: Tumingala sa tinitingala na mga tala

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Maori moving image ki Te Uru

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Marti Friedlander: Portraits of the Artists

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Mercury in retrograde

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Rob McLeod: Jimmy gets nostalgic

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Shannon Te Ao: Ka mua, ka muri

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Star waka

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Steve Carr and Christian Lamont: Fading to the sky

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The thrum of the tide

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About walking

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Contemporary wood-carved Netsuke

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Design and Innovation at Green Bay High School

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HANDSHAKE 5: in site

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James Charlton: Thrown

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Nicola Farquhar: Listening, twitching

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On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell

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Philippa Blair: Down under cover

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Pusi Urale: Mafine – Celebrating the Female form

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Sarah Cameron Sunde, 36.5 – A Durational Performance with the Sea

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Split Level View Finder: Theo Schoon and New Zealand Art

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The Future of Our Kids

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Thinking about Thinking about the future

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Tim Wagg: Working Towards Meaning

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Wayne Youle: Elevation

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WYF: Where You From?

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Blood Water Earth

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Bruce Barber and Mark Harvey: Button Action

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Campaign

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Diversity: Titirangi Primary School

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Emma Fitts In the Rough: Parts 1, 2 & 3

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Gavin Hipkins: The Homely II

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Marie Shannon: Rooms found only in the home

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Mark Harvey: Drop the Ball

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Moana Currents: Dressing Aotearoa Now

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Moanaroa: Home of the Pacifica Mamas

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names held in our mouths

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Parallel Universe: The Art and Design of Roy Good

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Small Space: Jane Dodd

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Small Space: Rowan Panther

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Small Space: Zoe Brand

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Sorawit Songsataya: Jupiter

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twenty-four-seven

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What the Whau?

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YOUNG-HAE CHANG HEAVY INDUSTRIES PRESENTS SOME GRAPHIC SEX, HEAVY DRINKING, BLOODY VIOLENCE, AND DIRTY LANGUAGE?

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‘A way through’ Colin McCahon’s Gate III

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Billy Apple: The Cut Away

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Collection Classics: One Tree Hill College Art Collection

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Dark Horizons

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Envoys Onwards

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Erica van Zon: Jade Tableau

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From Scratch: 546 Moons

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From the Shore

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Gabrielle Amodeo: Blind Carbon Copy: an open love letter

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Josephine Cachemaille: FEELS

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Kelly McDonald: Portrait of Jewellery

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Kerry Ann Lee: life should be simple and good

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Kushana Bush: The Burning Hours

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Leading Ladies

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Learning Centre Gallery 2017

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Louise Menzies: Gorgon Malkin Witch

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Maureen Lander: Flat-Pack Whakapapa

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Nga Tohu o Te Kawerau a Maki: the people, their stories and treasures

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Phillip Fickling: The Fragile Sea

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Pocket Histories

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Small Space 2017

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Small Space: Manon van Kouswijk

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Stephen Ellis: Headforemost

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Window Space 2017

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Window Space: Glen Hayward

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A Table of One’s Own: The Creative Life of Anne McCahon

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Christine Hellyar: Looking, Seeing, Thinking

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Collection Classics: Lois McIvor

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Cushla Donaldson: The Fairy Falls

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Gregor Kregar: Lost World Glass

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HEAT: Solar Revolutions

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Jacqueline Fahey: Where my eye leads

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Lonnie Hutchinson and Reuben Paterson: Relative Reciprocity

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Oliver Perkins: Japanese Laurel

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Picturing Asia: Double Take: The Photography of Brian Brake and Steve McCurry

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Rob George: a memoir for falling light

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Roger Ballen’s Theatre of the Mind

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Sarah Smuts-Kennedy: Light Language

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The Anniversary Show: 30 Years Later

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The Asia Pacific Century: Part Two

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The Exquisite Wound

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Watching Windows

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Yukihiro Taguchi: Pokepoke

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Alex Monteith: Surface Movements Te Piha

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Andrew Ananda Voogel: Kalapani: The Jahajis’ Middle Passage

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Campbell Patterson: Honky Tonkin’

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collection Classics 2016

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Curiosity Corner 2016

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Curiosity Corner:Summer 2015/2016

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Dan Arps: Plastic Mouthfeel III

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Ilan Wittenberg: Faces of Jerusalem

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Jae Kang:Gurmon Sup

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James Cousins: Restless Idiom

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Janet Lilo: Status Update

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Jasmine Togo-Brisby: Bitter Sweet

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John Parker: Cause and Effect

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O-Tu-Kapua: My Personal Cloud

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On Repeat: The Disruptive Copy

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Richard Stratton:Old Zealand New

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They Come from Far Away: A Performance Series

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uniform: Exchange

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Yuki Kihara: A Study of a Samoan Savage

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Yukihiro Taguchi: In Formation

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Billy Apple: Sound Works 1968-2015

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Black Rainbow: Ralph Hotere and Michael Parekowhai

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Caroline McQuarrie: No Town

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Daniel Malone: Titirangi Apocrypha

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Five by Five: New Conversations with Clay

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His Own Steam: A Barry Brickell Survey

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Homeworld: Kathy Barry and Isobel Thom

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IOIOIOIOIOIO: Fred Harrison and Tracey Tawhiao

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Judy Millar:he Model World

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Kindred

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Seung Yul Oh: HaaPoom

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Shannon Novak: Cryptocosmos

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Takeshi Yasuda: Recent Work

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The Brain

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The Kauri Project: A Delicate Balance

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Tiffany Singh: Life is but a Vapour

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Unseen City: Gary Baigent, Rodney Charters and Robert Ellis in Sixties Auckland

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Window Space 2015

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With Bold Needle and Thread

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Activating Te Uru: Inaugural Opening Exhibition

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Amy Howden-Chapman: They Say Ten Thousand Years

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Andrea du Chatenier: The Cell and the Bride

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Delicia Sampero: Conference of the Birds

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Jay Hollows: The Grain of the Sound and the Thing in Your Hand

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Jos Wheeler: Voicing Dissent

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Ryan Ballinger: Road Runner

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Te Hau a Uru: A Message from the West

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The Kauri Project: Poster Series

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Veronica Herber: Site Unseen

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Whau the People: Residents in Residence

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Ben Cauchi: The Lunar Apogee

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Clay Bodvin: Hybrid Memories and the Still Life of Trivial Objects

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Denise Bachelor: Silent Wings

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Mannequin March

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Mary Macpherson: Old New World

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Tree House: McCahon House Residency Five Years On

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Adrian Jackman: Mind the Gap

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Ben Cauchi: The Lunar Apogee

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Boundless Books: Steiner Press Books 1992-2008

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Clay Bodvin: Hybrid Memories and the Still Life of Trivial Objects

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Colin McCahon: The Titirangi Years 1953-1959

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Don Binney: Drawing the West Coast

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Gavin Hipkins: Second Empire

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In Good Form: The Abstract Art of Roy Good

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Joanna Margaret Paul: Subjects to Hand

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John Madden: Silent Resonance of a Turbulent Coastline

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Judy Millar: Keeping You, You, Keeping Me, Me

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Len Castle: Mountain to the Sea

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Lisa Reihana: Nga Hau e Wha

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Martin Basher: High Class Boner Meds/Paradise Sale

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Mary Macpherson: Old New World

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Pat Hanly: BLAST!

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Peter Siddell: Paintings 1970-2010

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POST Stitch: Contemporary Stitched Work

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Roger Donaldson: ALL DOGS SHOT

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Stanley Palmer: To the Harbour

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Tree House: McCahon House Residency Five Years On

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Under: Curated by Karl Chitham

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Where Are We?

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Wild Creations

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Wood for the Trees

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Envoys: Association of Women Artists International Postcard Project

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Marie Shannon: Ordinary Things

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Table Setting

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Wi Taepa: Hue

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Publications and programmes

Curatorial Exchange

lecture

Curatorial Exchange

Pip Wallis visited Tāmaki Makaurau from Naarm / Melbourne from 6–9 May 2024 and delivered this guest lecture on her research and curation to date. Pip Wallis is currently the Senior Curator at Monash University Museum of Art. Before joining MUMA, Pip was Director of Programs at Callie’s in Berlin. The Visiting Curators Programme is made possible through collaboration with hosting institutions Auckland University of Technology and University of New South Wales.

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Fred Graham: Toi Whakaata / Reflections

Poster

Fred Graham: Toi Whakaata / Reflections

Gain deeper insight into the work of sculptor Fred Graham (Ngāti Korokī Kahukura, Tainui) through this conversation between Brett Graham, son of the esteemed artist, and curator Hester Rowan. This poster publication was produced on the occasion of Toi Whakaata / Reflections at Te Uru (8 June – 18 August 2024). The interview reflects on the artist's remarkable 70-year career and Aotearoa's shifting political landscape over this time.

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Ava Seymour: Domestic Wild

Poster

Ava Seymour: Domestic Wild

The following conversation between Ava Seymour and Te Uru Curator James Gatt was held on the occasion of Domestic Wild at Te Uru Waitākere Contemporary Gallery (9 March – 26 May, 2024), the first survey of Seymour's ongoing series of cat-centric composites.

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Portage Ceramic Awards Archive